Before you even reach the bright yellow front door of podcaster and DJ Arman Naféei’s Los Angeles home, the mood is set by an exquisitely restored 1980 Fiat 124 Spider 2000, in a grey-green metallic Grigio Fumo. It feels on brand for the “directeur d’ambiance” for clients including Giorgio Armani and Moncler. Inside, Naféei is at the sunny yellow La Marzocco machine making an espresso. He pours water from cult wellness destination and grocery store Erewhon into Svenskt Tenn glasses. “I wanted a mid-century home, with light and space — and beautiful, expansive sunrises,” he says of the one-bedroom, one-bathroom home just off Mulholland Drive, at the edge of the Santa Monica Mountains. Its panoramic views take in the Hollywood Sign, the Griffith Observatory — and the chaotic 101 freeway. Was that the ambience he was after? “I get a sense of the city’s energy,” he smiles.
I grew up outside of Toronto and came to Halifax, the capital of Nova Scotia, in 2001 to study architecture – and fell in love with the place. There’s something very special about historic cities like this one, with a scale that you can hold in your hand, surrounded by nature. At the same time, Halifax is very dynamic, with a population of 500,000 and multiple universities. There is always a buzz in the air.
My personal style is eclectic and imaginative. Depending on my mood and the occasion, I might wear contemporary, vintage, masculine or very feminine clothes. If I’m on the rostrum, jackets are everything. My go-to is a navy wool double-breasted YSL jacket with gold buttons – very military-style – and I also love the silver Armani jacket that I wore for the sale of Apex, an 11ft-tall stegosaurus skeleton, in 2024. I always want to be sensitive to the items in the sale – the clothes I wear for a Modern & Contemporary auction are different to those I’ll wear for fossil or manuscript sales. One exception is my hair, which I always wear in a ponytail. When I was auditioning to be an auctioneer at Sotheby’s in 2016, Hugh Hildesley, who was then a senior auctioneer, advised that my hair was hitting the microphone and was a distraction. I’ve tied it up ever since and never have to think about it during a heated auction.
The Sotheby’s star on stage presence, the San Francisco Giants and selling a $45mn stegosaurus.
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My personal style is eclectic and imaginative. Depending on my mood and the occasion, I might wear contemporary, vintage, masculine or very feminine clothes. If I’m on the rostrum, jackets are everything. My go-to is a navy wool double-breasted YSL jacket with gold buttons – very military-style – and I also love the silver Armani jacket that I wore for the sale of Apex, an 11ft-tall stegosaurus skeleton, in 2024. I always want to be sensitive to the items in the sale – the clothes I wear for a Modern & Contemporary auction are different to those I’ll wear for fossil or manuscript sales. One exception is my hair, which I always wear in a ponytail. When I was auditioning to be an auctioneer at Sotheby’s in 2016, Hugh Hildesley, who was then a senior auctioneer, advised that my hair was hitting the microphone and was a distraction. I’ve tied it up ever since and never have to think about it during a heated auction.
I was born and raised in the East Village, not far from the home of Track Star, the online game show I play with people on the street. It stars strangers as well as musicians: I’ve had Lily Allen, Charli XCX and FKA Twigs on. Basically, I play a song and the contestant has to identify the artist who recorded it. The prize money starts at $5 for the first song and doubles with every correct answer until my guest either gets one wrong and loses it all or decides to stop playing. (The cash “prize” is often donated to charity.) Our office is on Great Jones Street, in NoHo, because this area is perfect for casting creative, willing participants who love music trivia.
I was introduced to Park City, home to the Sundance Institute, in 2016 by Darren Walker, the former president of the Ford Foundation. I had studied film and theatre at Northwestern University and was on the board of the Steppenwolf Theatre, so with his encouragement I joined Sundance’s board of directors in 2017. I became the chair in 2021 and it has been a magical experience ever since.
My personal style signifiers are well-worn Birkenstock Arizona sandals, Joe’s Jeans and black Lululemon 5 Year T-shirts. I am perhaps the least stylish person ever, but I do have a distinct uniform. My bald head has also been a signifier for some time now. The last thing I bought and loved was a Mammut Trift long-sleeve shirt in dark navy. It’s light, packable and warm. I love visiting the area surrounding Banner Peak and Mount Ritter in the Sierra Nevada mountains, where I go backcountry running, hike the Thousand Island Lake Loop and camp out in the solitude. A base layer is a key wardrobe item.
The founder of the clothes brand loves Ruinart champagne, loathes minimalism and ‘lives for Christmas’
My personal style signifier is my jewellery. I possibly wear too much, but I change it all the time and have an ever-evolving group of favourites. I collect antique Belperron, Verdura, Cartier, Hermès, Edwardian rose-cut diamonds, angel skin coral, snake rings, tennis bracelets and anything in the shape of a heart or a shell. I like to mix fine jewellery with pieces from my costume collection that features baroque pearls, sea creatures, turquoise, carved wood and gemstones. I wear my jewellery all the time and don’t consider anything “special occasion” or precious. I joke with my family that I want to be buried with all of it.
What: A scene-y club with a sexier atmosphere than its rivals. It is set in the former Spice Market space, and the decor is all 1930s Parisian glamour courtesy of designer Lauren Mishaan, the grand staircase welcoming members into subterranean splendour lined with crimson banquettes and gilded private nooks. Roam through the big-cat-themed Lounge; enjoy chef Jean-Georges Vongerichten’s inventive takes on sashimi. But Gaux Gaux – the caviar-and-cocktail bar/after-hours nightclub with its solid glass Sogni di Cristallo bar and chandeliers – is really the spot to see and be seen.
My personal style signifier is denim on denim. I wear a mix of the brands I work across: Gap jeans, Old Navy T-shirts and heavy denim shirts from Banana Republic. I always wear my Rolex Daytona, a silver bracelet I got at the iconic Hi Ho Silver in San Francisco and my silver and jet W Hammond engagement ring. I’m also loving my woven leather Timberland boots that look just like Bottega Veneta. But, really, my style signifier is my smile.
The head curator of The Met’s Costume Institute loves dachshunds, The Vicar of Dibley and Villa d’Este
My personal style signifiers are pretty casual and consistent: my tortoiseshell glasses – I’ve worn various brands over the past 20 years – and a navy cashmere four-bar cardigan, chino trousers, white cotton Oxford shirts, a rep tie and classic wingtip brogues, all by my partner Thom Browne. The last thing I bought and loved was a painting by Ewa Juszkiewicz, the Surrealist Polish artist. She recreates paintings from the renaissance to the 19th century, but obscures their faces with fabrics or phantasmagoric wigs. Ours references the 17th-century portrait of Maria van Strijp by Dutch golden age artist Johannes Cornelisz Verspronck, which belongs to Amsterdam’s Rijksmuseum. We’d been looking for one of her paintings for a long time and were lucky to get it in a Sotheby’s evening auction.
I came to the Berkshires in the most millennial-Gen Z way possible. Today’s CV is an Instagram account, and the managing director of Williamstown Theatre Festival DM’d me to ask if I’d like to get involved. I’ve been working in theatre for 15 years and have never been approached by a festival, let alone Williamstown, which is legendary. Fast forward a year or so and I am spending the summer in Williamstown as the festival’s creative director, and my latest play, Spirit of the People, has its world premiere here in July.